Thursday 20 March 2014

HYDRA SLAYER - A SHORT STORY



Great art inspires great stories.  This piece by  Svetlin Velinov inspired me to post an excerpt from Dream Alchemy, my forthcoming fantasy novel.  The main character, Nombuso, first inspired by the trials of Hercules, represents the archetypal warrior in many fantasy stories.  Yet his courage extends beyond the sword as Dream Alchemy unfolds....



Hydra Slayer


Seek Godchild Atrius, Angel so bold
In swamp barrow - gold and old
There in Uztalex where the hydra roam
And the mists of the dead choke and groan
Where those who dream of freedom’s peace
Shall find it in that dream’s release


Stumbling through the foetid quagmire, Nombuso recites a verse from the Prophecy.  All about him he hears the cries of his comrades, who like him, are lost in the twisting mists of Uztalex.  He sees no safe track to follow, no way forward, so relies on instincts sharpened by the continuing rebellion against Queen Zahkih.  They tell him to press on, not to stand still, for the enemy is near.  He struggles on, with anger in his heart and lungs burning with the breath of the swamp, ever wary of falling foul of quick sand.
A shrill shriek! 
Nombuso crouches and looks with his single jet eye to the mists ahead, but sees only illusionary shadows passing across the grey wall.  His rage simmers as a hollow stillness follows - his choking breaths the only sound.  Silently he unsheathes his hand-and-half sword from his back, leaving his short sword at his side.  Bringing his round shield before him, he waits.
Nerve-flaying cries pierce the air as three dragon-like heads emerge from the fog, their oily black skin glistening.  Each head has two reptilian eyes that flank a row of tiny horns running from snout to crown, and a maw lined with venomous fangs.  As the heads rise up high, the mists clear to reveal three serpentine necks attached to a huge, slug-like body.  A cacophony spills from the jaws of the hydra as it spots the man and lurches forward.
In his fury, Nombuso meets the first attack of the towering creature with an arcing blow, slicing one head clean from its neck.  He ducks the second attack, and deflects the third with his shield - the force of the hydra’s blow knocking him back into the swamp.  Swiftly, he regains his feet and sees the hydra’s two remaining heads writhe in agony.  It is now vulnerable, he knows, so charges towards its soft underbelly.  The fell beast is quick to respond and strikes out with jaws cast wide. 
The berserker roars as he dives into the swamp, narrowly evading the two heads that snap at the air above him.  In its frustration the hydra screeches with one head, while with the other tears at the boggy vegetation in search of her enemy.  Upon finding nothing, the shrieking head joins in the hunt, spearing the morass with its massive jaws cast wide. 
Nombuso leaps up from the slime and thrusts his blade into the underbelly of the fell beast.  Simultaneously, he catches glimpse of a gaping mouth descending through the mists above.  His shield meets the assault, though deters it for only a moment - like a cobra it recoils and attacks again.  Withdrawing his sword from the creature’s underbelly, Nombuso turns to meet the striking head, exposing his blindside – the darkness of his lost eye – and doesn’t see the other attacking head.  His body stiffens as venomous fangs pierce his armour.  His sword falls as he is lifted into the air.
Like a rag doll, Nombuso dangles from the hydra’s mouth as before him appears the second head.  Its jaws widen, releasing a blast of noxious breath.  Coughing, twitching, he can do nothing but hold onto his shield as the beast’s jaws close about him.
A feint in combat, a trick many times used: to appear weak when still strong.  In one fluid movement the warrior’s short sword leaves its scabbard and is thrust deep into the throat of the attacking head.  With eye as dark as death, Nombuso wills himself to overcome the poison of the hydra.  With shield he bashes the snout of the skewered head until the other lets go.
Released from the jaws, Nombuso falls into the mire.  Rising upon unsteady feet, he holds out his weapon before him and waits for the hydra’s next attack.  The poison that courses through him shadows his vision and intensifies the stench of the swamp’s breath, making it almost impossible to fight on.  His warrior instincts refuse to let him be defeated: he leaps backward to evade a lethal bite.  Lashing out blindly, he meets flesh.  Stumbling forward, he lunges, unknowingly sinking his blade through an eye.  An instant later he is knocked back off his feet.
Darkness.
The cold grip of the swamp.
Buried alive!
Nombuso struggles from the liquid earth.  He can barely see, and the distant cries of men mix, becoming distorted and strange.  He holds out his blade before him, ready to fight on, ready for death.  But death does not come, and everywhere he looks he sees only grey.  It takes him a heart pounding moment to realise that the hydra has retreated.
Lost, alone, the warrior begins to move, his every step in the quagmire an effort.  He wants to fall, he wants to lie down and let the hydra venom take him, but the words of the Prophecy rise in his twisted thoughts and give him the strength to continue his search.

Seek Godchild Atrius, Angel so bold
In swamp barrow - gold and old
There in Uztalex where the hydra roam
And the mists of the dead choke and groan
Where those who dream of freedom’s peace
Shall find it in that dream’s release

Dead men lie here and there, brave souls he has known, as his path takes him further into the swamp.  Many times he swears he sees hydra heads breaking the mists, but after he has turned and charged them, they vanish.  Whether it is the acrid fog or the hydra venom playing tricks upon his eye, he does not know, and so when he catches sight of another dark shape dead ahead of him, he is unsure what to do.  Let it come for me, his instincts say; he has not the strength to charge it anyway.
The black shape remains something altogether foreboding.  It is twice the height of a man and roughly round.  It is not moving.  Cautiously, Nombuso approaches, his teeth gritted.  He can’t feel his arms anymore; he doesn’t think he can swing his sword.  Drawing closer, he realises he faces no beast, only darkness.  Before him is the entrance to some ancient barrow.  As nearer he comes, he realises that it is deep, for far off in the black, beneath the swamp, he sees a golden glow.
Swallowing hard, Nombuso heads down what appears to be a wide, circular tunnel.  The ground, like the walls, is carpeted with moss, soft and slippery underfoot.  His gasping breaths echo, and though he tries to still them he can’t, for the hydra venom is overpowering.  Halfway down the passage his foot meets metal and he slips; his head bangs against the wall, setting the tunnel ringing.  Fear grips him as the clanging sound travels deep to distant ears.  There he lies in a half daze, lost in a world of twisted colours, and whispers again the words that give him strength.

Seek Godchild Atrius, Angel so bold
In swamp barrow - gold and old
There in Uztalex where the hydra roam
And the mists of the dead choke and groan
Where those who dream of freedom’s peace
Shall find it in that dream’s release

The warrior struggles to his feet, forgetting his sword.  Onward he presses, leaning against the moist metal wall, until he sees only light pushing back the darkness.  He is near now, and he is walking into a vast sphere.  Golden light sparkles across its surface like sunlight on rippling water, and in his delirium Nombuso believes that he has been lifted from this world to Paradise, for high up in this palace of glass he beholds an angel whose wings radiate moonlight and whose eyes shimmer like twin suns.  As the armoured godchild glides down towards him, Nombuso laughs wildly.





©Nicholas Boyd Crutchley 2014

Hydra Slayer is an Excerpt from the fantasy/sci-fi Novel, Dream Alchemy.  Available Summer 2014.  

Hydra Art (Top) by Svetlin Velinov.  ©Phoenix Age Inc






Sunday 15 September 2013

VOLUNTEERING IN CONSERVATION, MENTAL WELL BEING AND THE WRITING PROCESS





Working on a voluntary basis for the RSPB, local nature reserves, Wildlife Trusts, etc, is therapeutic.  There is a lot evidence pointing toward working with nature as being beneficial for mental and physical well being.   The friends you make, the exercise and the fresh air are all conducive to feeling better when you have the blues.

I've been volunteering for around thirteen years now.  I began with the local authority nature reserve, but more recently worked with the Scottish Wildlife Trust, the RSPB and the National Trust.  Heathland management, invertebrate surveys and boardwalk laying on Handa Island have been just a few of the activities I have undertaken.





Losing our connection to nature, to be boxed in with tarmac and concrete, can only increase life's stresses, and if prone, nudge you that little bit closer to mental illness.  As conservation in the UK would not happen without the help of volunteers, a symbiosis can occur.  The depressed volunteer enters a social world where they actively protect wildlife.  In doing so, they conserve areas of nature which they themselves and others can enjoy.  That feeling of giving may then override any self critical thoughts, even for just a short while.  Whether you are in therapy, on pills from the doctor, or just feeling the blues deeply and have no one to talk to, meet up with your local groups and get involved!

And how does this inspire the writer?  Writing is an emotional process.  You have to feel your characters, feel your atmospheres, feel your way through plot lines that often remain unclear.  Depression shrouds the creative process in darkness.  Sweet-scented air, dappled shade playing upon bluebells, the laughter of others you work with, brings back the light.